September 15, 2016
Brother Bear – US,
2003
Were it not for my less than stellar impression of The Great Mouse Detective, I’d be able
to proclaim Brother Bear my least favorite
Disney animated film. Brother Bear is
a film with a plot so unsettling and creepy that I spent most of the film with
a rather queasy feeling in my stomach and thoughts of incredulity running through
my head. It was somewhat reminiscent of the sheer astonishment I felt watching Brave. That, some of you will remember,
was the film in which a woman changes her mother into a bear and then has to
stop her father from hunting her. Believe it or not, that pales in comparison
to what we get in the wholly unoriginal Brother
Bear.
The film is set in the forests of Canada. There we are introduced
to three Inuit brothers, who have a special bond. How do we know? Well, in what
will become an unfortunate trend in the film, a song tells us. And by song I don’t mean your standard,
everyday Disney musical number – you know, the kind in which an animated
character will break into song and reveal a little of his or her character. No,
here we get Tina Turner belting out “Great Spirits,” which reveals to us that
they’re brothers and they’re always there for each other. In truth, we could
tell that the first time we saw them rough housing and evading a parade of stampeding
elk. Unfortunately, the song is the first of this sort, and from here on in,
the songs serve as the film’s lazy intermittent narrator, telling us what we
are already able to see and doing it to the point of ad nauseam.
The youngest of the brothers is named Kenai (voiced by
Joaquin Phoenix), and like many other films of this sort, Kenai is just about
to take part in a ceremony that will reveal to him his spirit animal. It’s not
hard to guess that he won’t like it or that whatever quest he ends up on will
lead to his embracing of the very quality that he at first rejects. But before
he starts his journey, he must first embrace darkness because apparently
nothing sets a character in a kids film on the path of self-discovery quite
like death, obsession, and killing. Here, Kenai rejects his spirit animal and
its pacifist characteristics and sets off to kill the bear that caused the
death of one of his brothers – at which point I wondered, “Are there any Disney
films in which someone doesn’t die or get killed?”
The journey takes Kenai high up on a mountain, where the
spirit of his deceased brother decides to teach him a lesson in humility by
turning him into a bear. This is of course after he has killed the bear that he
blames for his brother’s death , and because he is now a bear, he is in danger
of being killed by his other brother because… oh never mind. You get the point.
The film tried to make up for its bleak and morbid undertone
by turning on the comedy. To do this, it enlists Rick Moranis and Dave Thomas,
here essentially playing animated versions of their iconic characters from 1983’s
Strange Brew. Here’s the problem,
though. They’re given nothing to work with other than tired yoga jokes,
frequent jabs at each other for being lazy, and a tired scene in which they
play “I-spy” on the backs of large mammoths. Their scenes are much less fun
than they should be. Only a bear cub named Koda, voiced by Jeremy Suarez,
brings energy to the film. However, the character is nothing we haven’t seen
before, and his big reveal seems more like an act of desperation on the
screenwriter’s part than a spark of creativity. It also ramps up the “ick”
factor, already in great abundance.
Brother Bear was
directed by Aaron Blaise and Robert Walker, and to their credit, they get some
things right. There are scenes of stunning natural beauty and spectacular cave
drawings, and the film’s depiction of the Northern Lights as a realm in which
both deceased animals and humans roam freely is quite an interesting concept. I’m
just not sure anyone involved in the film knew what to do with this idea beyond
the obvious. Perhaps they should not be blamed, though. According to IMDB,
twenty-five people are credited with writing at least some part of the film,
and you know that old saying about cooks and the kitchen. Well, it applies to
screenwriters and films as well. (on DVD and Blu-ray)
2 stars
No comments:
Post a Comment